- Department of Music
- Admission
- Curriculum
- Ensembles
- People
- Faculty
- John Adler - trumpet, jazz
- James Bryant - accompanying, keyboard skills
- Ivica Ico Bukvic - composition, multimedia
- Vernon Burnsed - music education
- Richard Cole - history, literature
- Tracy Cowden - piano, vocal coach
- Jay Crone - trombone, department head
- Elizabeth Crone - flute
- Travis J. Cross - conducting, wind ensemble
- Michael Dunston - recording, production, multimedia
- Wallace Easter - horn
- John M. Floyd - percussion
- Brian W. Gendron - choral, choral ensembles
- James Glazebrook - violin, viola, orchestra
- Mary Louise Hallauer - piano
- Kent Holliday - piano, composition
- John Howell - history, arranging, historical instruments
- John Husser - bassoon, saxophone
- David Jacobsen - flute, saxophone
- Stephen E. King - music education
- Nancy McDuffie - voice
- David McKee - Marching Virginians, university bands
- George McNeill - Highty-Tighties
- James Miley - jazz studies, composition, theory
- Kelly A. Parkes - music education
- Will Petersen - MVs, pep band, euphonium, tuba
- Jennifer Quakenbush - oboe
- Esti Sheinberg - history, theory
- Theodore Sipes - voice
- James Sochinski - theory
- Alan Weinstein - cello, bass
- David Widder - clarinet
- Staff
- Students
- Alumni
- Faculty
- Outreach
- Giving
Music Composition degree option
The composition degree entails composing and arranging in different contemporary styles, enabling the student to be able to notate clearly and concisely what they have conceived and want musically to express. Exploring such techniques as twelve-tone, polytonality, aleatoric, mathematical and neo-modal approaches, the student is encouraged to discover her/his own style of composition, and to give a concert of original compositions which exemplify individualized creative progress. The degree gives a firm foundation for advanced composition work in a graduate program or in practical applications for film scoring, advertising, or other aspects of the commercial world.

